Print off a Registration Form and enclose a cheque (can be post-dated to the start of the class). Hell’s Angels forgoes an understanding of cinema as founded in the sameness of mechanical reproduction in favor of activating the auditorium as a space of chance occurrence and encounter. The architect was A.S. Gray a 28 year old classically trained architect in the flamboyant Art Deco style. would seem to be that of an insistent ‘present-ness’—a ‘This-is-going-on’rather than a ‘That-has-been’, a celebration of the instantaneous.”1 Web browsing inherits this temporality while exacerbating it through increased interactivity and customization. Crouch End Cinema - Theatre - Cafe/Bar. But what are the precise contours of—and what exactly is at stake in—the recent liveness of live cinema? Cash or cheque at the centre, due at your first class. By contrast, though bound to the present-tense unspooling of the film through the projector, cinematic exhibition is more properly located in the domain of the That-has-been. Just as there are significant differences between the meaning of liveness in preclassical cinema and its articulation in the ’60s and ’70s, so too does there exist a distinction between this latter period and our own. has entertainment covered. It is one thing to stand outside a regime of repetition before it has been consolidated, quite another to depart from it after it has become the norm. But the overwhelming majority of the program followed Schmidt’s posthumous lead, integrating performative components in order to transform cinema from an art of reproduction into one of singularity and contingency, whether through magic-lantern shows, projector performances, film actions, or live musical accompaniment. This has always been the case, of course, but today attains a new visibility in relation to historically shifting meanings of liveness. Journey to China: The Mystery of Iron Mask (Formerly Viy 2) … Pompeii - Sin City Synopsis. As part of the Children’s Episode, Samson Kambalu invited a group of children to imagine this film’s content. Even so, its speculative imagination hits like a shot in the arm. ArtSmart uses Cinema 4D's Python API and requires Cinema 4D release 13 or greater. Art house cinema. Library and kiosk. Nelson Goodman, Languages of Art: An Approach to a Theory of Symbols (Indianapolis: Hackett, 1976), 113–21. What appears to be a binary operation of the sort fundamental to digital media—on/off—turns out to be anything but, as a striking range of lights and darks is generated out of the particularities of each projector. Marcia Landy (London: Athlone Press, 2001), 269. Gibson and Recoder were in the booth, manipulating the projector’s beam of light by means of a rotating piece of glass and color filters that created abstract, gaseous images, at times recalling nineteenth-century spirit photography. Liveness is a way of cultivating the unforeseeable: One never knows precisely what might happen. Machinic regularity and rationality are summoned but displaced by chance, variability, and human presence. Liveness today is bifurcated. Our collective re-creation of Hell’s Angels, 1969, the expanded-cinema performance conceived by Austrian filmmaker Ernst Schmidt Jr.—and originally dedicated to Howard Hughes—was over. Such considerations are of particular relevance today, as the cinema mutates and migrates under the pressures of digitization. Televisual “flow,” to use cultural critic Raymond Williams’s term, gives the impression of a ceaselessly unfolding now, even when the content being transmitted is not in fact live. Good screen size. As a performing art, cinema ceases to be a reproducible object and becomes instead a singular experience—something that exerts a special appeal in the age of digital access. THIS PAST MAY, “Memories Can’t Wait—Film Without Film,” the theme program of the 2014 International Short Film Festival Oberhausen, began with a blank screen. Credit Cards accepted via our online store. 120 Eugenie Street World class films at only £6 per person (£5 concessions). Art house cinema. Straight from the horse's mouth - find out more about Universities from our Official University Profiles written by the Universities, then get the inside scoop from past and present students in our Student University Guides. No celluloid ran through the projector; instead, light was transmitted without intermediary, bright enough to bounce back and partially illuminate the faces of the seated spectators. The artists’ manipulation of the images served as an allegory of the very idea of the performative event: The images eluded one’s apprehension, sliding, as they did, in and out of recognizability. With full freedom to edit posts, as well as add stunning media, managing your forum has never been easier. The good: Not as busy as the other cinemas, so you can walk around a little. All film screenings are in some sense live events, unique performances of a stable notation that occupy a particular place and time and are collectively shared. . With this work, Gibson and Recoder cast into relief the extent to which this performative dimension is always there, even in the most regulated forms of exhibition, such as DCP projection. . The MAG Cinema division is dedicated entirely to the cinema sound business and offers a wide range of speakers adapted to any room size or immersive sound application. Cinema Cineplex Forum is always a good place to go watch an obscure movie, or one of today's hit with a little less exposure. Stoke on Trent’s Independent Cinema. Liverpool’s former ABC Cinema is a Grade II listed building in the Art Deco style, situated on Lime Street and Elliot Street. The WORLDS most Friendly Likable Knowledgeable Kung Fu FORUM is BACK..You can TALK RARE KUNG FU With people of knowledge about your favorite Kung Fu Movies. 1.Ask For Screen Shots Before Purchase! Seats are free and are on a first come, first served basis. After some time in this space, the audience returned to the first cinema for the conclusion of the performance. Medialab. In the 1960s and ’70s, live cinema emerged as a subset of broader efforts to expand cinema beyond its institutionalized form, manifesting most strongly in the American, Austrian, and British contexts. Satz created a stroboscopic effect by manually spinning a rotating plate at varying speeds to obscure one or the other of the overlapping images. The Official Local Business Page for The Art Cinema, the Northeast's premier adult movie theater. Liveness describes a historical, rather than an ontological, condition.”3 Conceiving of liveness in this way is fundamental to making sense of the current interest in restaging interventions from fifty years ago, let alone understanding the work of the new generation. Film Forum is committed to accessibility. Wendy Hui Kyong Chun and Thomas Keenan (New York: Routledge, 2006), 199–208. Cleopatra Jones and the Casino of Gold (1975) Tamara Dodson - A 6'2 Black Women Leading Her Own Series Where She Plays A Female James Bond And Has An Asian Female Sidekick? About twenty minutes in, the musicians decamped to the other cinema, the Star, and the audience followed. In Oberhausen, Aura Satz, for example, made use of two Kodak Ektapro slide projectors for Blink Comparator: Her Luminous Distance, 2014, a performance delving into the work of fin de siècle astronomer Henrietta Leavitt. - With Cineversity's ArtSmart plug-in, you can easily import artwork from virtually any Adobe Illustrator or PDF file. The expanded-cinema practices of the 1960s and ’70s—which gave rise to a headily diverse body of work ranging from Stan VanDerBeek’s Movie-Drome, 1963–65, to Hollis Frampton’s A Lecture, 1968, from Ken Jacobs’s Nervous System performances (1975–) to Tony Conrad’s “Yellow Movies,” 1972–73—have been the subject of significant curatorial and scholarly attention in recent years, much of which has interrogated how these works negotiate the antipodes of intermedial expansion and reductionist specificity. Soon enough, members of the audience started to throw crumpled balls of paper in the way of the beam, causing shadows to appear on the screen. “LIVE CINEMA” sounds like a contradiction in terms. Neon The boutique label announced this week that it will be pursuing a new spin on virtual cinema: offering up its “Spaceship Earth” through “virtual screenings in which you, your business, institution, non-profit, etc., can screen the film and receive half the proceeds of every ‘ticket’ you sell, just like a theater would.” It’s the first foray into the virtual space for the home of such films as “Parasite” and “Portrait of a Lady on Fire,” b… Presumably, a few knowing spectators had been planted to set off a chain reaction. Cash or cheque at the centre, due at your first class. A Még egy kört mindenkinek bekerült a Lux-díj hármas döntőjébe. As film theorist Mary Ann Doane has put it, “The temporal dimension of television . Wonderland. But to stop here would be to neglect an issue arguably more central to Schmidt’s piece and one that plays a key role in accounting for the intensified interest film festivals and museums have recently shown in certain historical and contemporary works of expanded cinema: the liveness of the event. . Similarly, the sound and image tracks of Stations of Light staged a tension between the stability of notation and the variability of improvisation. Therefore snacks counter also not as busy. Forum Art caters to all age groups. Although, the MoGraph integration is available only with Broadcast and Studio. Its digital sound track was replaced by a live accompaniment composed by Douglas J. Cuomo, who performed on laptop alongside cellist Dirk Wietheger, while its image was transformed into an ectoplasmic blur. The atmosphere is friendly, relaxed and unpretentious. More local films from Ray Johnson's Staffordshire Film Archives. Erika Balsom, a lecturer in film studies and liberal arts at King’s College London, is the author of Exhibiting Cinema in Contemporary Art, published last year by Amsterdam University Press. The artists gave three instructions to Taanila: First, he should choose two films of approximately the same length, to project on DCP; second, in making their selection, he should take into consideration how the thematic program of “Film Without Film” might work with films; finally, he should not reveal the identity of the films to the artists or the public. The extent to which contemporary film performance may be understood as positioning itself against digital liveness is emphasized by its striking attachment to outmoded technologies. Moreover, it works against common perceptions of its medium by staging a major departure from the persistent alignment of film and video art with access, circulation, and reproducibility. As media and performance scholar Philip Auslander has noted, “The idea of liveness is a moving target, a historically contingent concept whose meaning changes over time and is keyed to technological development. Home Theater Forum is a site dedicated to the love of all things cinema and film, home theater equipment and all varieties of home entertainment. One is to see it first and foremost as a form of historical reenactment, as an index that points back to the work in its original context while acknowledging the impossibility of true repetition. … The Art Cinema, Hartford, CT. 731 likes. Not only is content often updated in real time, but the user possesses the ability to navigate through it at his or her volition, thus experiencing the liveness of a self-directed desire. "Forum Art Centre is a hidden gem in our arts community. 1934 Situated in the heart of the Heritage City of Bath, the Forum was opened in 1934, the last ‘Super Cinema’ of its kind to be built. Sandra Gibson and Luis Recoder, Stations of Light: Installation for Two Movie Theaters, One Audience, and Musician, 2014. It was unclear exactly how the commotion began; no instruction had been given to the audience as a whole. By Benjamin Ramm. See, for example, Bart Testa, Back and Forth: Early Cinema and the Avant-Garde (Toronto: Art Gallery of Ontario, 1992). We will email you back to let you know that you have successfully reserved your spot in the class. Art Cinema. Within a visual culture predicated on the simultaneous dream and nightmare of perpetually available images circulating across numerous formats and exhibition situations, export opted for the inextricable connection of the artist’s body to the work and for that work’s ephemeral existence to be bound to a particular place and time. Thomas Vinterberg új filmje esélyes az Európai Parlament díjára, amelynek győztesét április 28-án hozzák nyilvánosságra. As a performing art, cinema ceases to be a reproducible object and becomes instead a singular experience—something that exerts a special appeal in the age of digital access. Show times, trailers, news, movie details, and online ticketing. And perhaps most important, it will never be able to be downloaded from Karagarga or streamed on UbuWeb—at least not without devolving to the status of mere documentation. 4. valie export, quoted in Roswitha Mueller, Valie Export: Fragments of the Imagination (Bloomington: Indiana University Press, 1994), 5. Exhibition. CINEMA. Gibson and Recoder stated that their use of two cinemas was inspired by the old 35-mm changeover system, in which the projectionist would switch reels by operating alternating projectors placed side by side. Curbs on the reproducibility of the moving image in favor of rarity are most often associated with the limited-edition model of distribution, motivated by financial and institutional concerns; here, however, one encounters a very different form of rarity, spurred instead by aesthetic and conceptual interests. What digital-media scholar Tara McPherson has called the volitional mobility of the Internet prevails as a dominant experience of liveness: a perpetual now of near-instantaneous accessibility that depends above all on the extreme velocity of digital data and tends to involve the physical separation of those involved.5 It is a liveness of a totally administered life lived on and in the grid, unfolding in the homogeneity of real time. But to view cinema solely as a medium of recorded reproducibility is to take an exceedingly narrow view of film history, one that excludes the diverse exhibition practices of early cinema and the avant-garde. DCP was ushered into multiplexes inside the Trojan horse of 3-D, with the rapid conversion that occurred between 2009 and 2012 casting 35 mm onto the scrap heap of media history. In addition to making virtually inescapable the changes in image quality that accompany all digital projection, the DCP system is notable for its fastidious management of contingency: The projectionist has far fewer ways to intervene in the projection process and, indeed, is becoming an obsolete figure as more and more multiplexes embrace automation. It was great! Within the context of its first performances, EXPORT’S Abstract Film No. On the evening of the performance, a crowd piled into the Sunset cinema (the show was sold-out), and the film began. 23/11/2020 CHRISTMAS GIFT IDEAS. Figures such as William Raban, valie export, and Tony Hill represented the 1960s and ’70s generation, while younger artists such as Aura Satz, Sandra Gibson and Luis Recoder, and Daniel Barrow testified to the ongoing vibrancy of this area of practice. There, a second film was playing, this one even more abstracted than the first by its refractions through a faster-rotating cylinder. Film Forum acknowledges the Lenape peoples, the original native New Yorkers, on whose land our theater is located. R2H 0X7. They give us the gift of knowledge, and creativity. 50.9k posts. The liveness of the film event is not simply about the unforeseeable but also about the unseeable: It thrives off the charge of the unfolding now while offering its viewers an exclusive and irreproducible shared experience inaccessible to those who weren’t there in person. Forum news and announcements as well as features explained through video and step-by-step guides 837 posts. Then you just need to bring the class fee (cash or cheque only) to your first class. For moving pictures were live from their very beginnings. Mixing film, fine art, live music, theatre, live streaming, dance & comedy. The spectator encounters an already-completed artwork that exists within an economy of the multiple as a copy without original. . Use this space to connec t with your audience in a way that’s current and interesting. #archive - Paris 2020 Browse the programmr of the Rencontres Internationales in Paris from February 25 to March 1, 2020 at Grand Palais and Louvre auditorium. Explore the Forum. EXPERIMENTAL FORUM - First Edition Experimental Forum is an international film and video art festival showcasing experimental film and artists’ moving image from auteur filmmakers and innovative video artists from around the globe, with the inaugural edition taking place in downtown Los Angeles. Screen Wednesday. Grand opening ad in the photo section. rivest266 on February 21, 2017 at 2:47 pm. It first opened its doors to the public in 1931. To approach Hell’s Angels in this way, one might say that it offers a degree zero of cinematic exhibition: projector, screen, audience. 4.Chat Room For Exclusive Discussions! 3. The old cinema flyers that had been lying on the auditorium seats—fittingly enough, advertising a 3-D screening called “Aktivkino” that had taken place a month before in the very same space—took to the air and flew toward the emptiness ahead. Meanwhile, the DCP files served as a kind of score from which Gibson and Recoder performed; though this score could be copied (or, better, was a copy), they would produce something from it that would be absolutely singular. Taanila elaborated his theme of “Film Without Film” in a number of ways, including via videos constructed entirely of text (Young-Hae Chang Heavy Industries’ Hyperbole on My Mind, 2014) or of still images (Edgar Pêra’s dubious rendering of Auschwitz in 3-D, Stillness, 2014). Even before the development of the photographic support, magic-lantern shows, panoramas, and optical toys offered illusions of movement that depended on the agency of a human operator and incorporated significant variability from one performance to the next. The artist described the work as “creat[ing] unexpected but basically understandable relations to land art, minimal art and art povera [sic].”4 When EXPORT re-created this landmark work at Oberhausen as Abstract Film No. Stad. New Features? 2. The Art Cinema closed this past January for “upgrades” and has not reopened yet, nor is reopening imminent. Cinema. To perform this piece, export aimed a spotlight at a mirror onto which she poured various liquids; the light reflected off the mirror and onto a screen, producing an abstract pattern changing in time. Set against the standardized practices of film exhibition, it reinjected a charge of contingency into a highly rationalized arena, very much in dialogue with contemporaneous developments in music, performance, and experimental theater. This opened on December 28th, 1951 as Art. Working with and against the restrictions imposed by the technology, Gibson and Recoder took over the Sunset and Star cinemas at the Lichtburg Filmpalast to performatively intervene in this rationalization of cinematic exhibition. It was a historically important film industry, at one time the centre of Indian film production. (New York: Routledge, 2008), xii. There is currently a GoFundMe campaign attempting to raise over $1,000,000 to cover the renovations. One stop for all theatre and movie information. The cinema of West Bengal, also known as Tollywood, refers to the Indian Bengali language film industry based in the Tollygunge region of Kolkata, West Bengal, India.The origins of the nickname Tollywood, a portmanteau of the words Tollygunge and Hollywood, dates back to 1932. Email:  |  ONLINE SHOP | ", Darrell Cole -- Founder and CEO, Career Trek, "We give a tip for services, in a diner, taxi service, hair salon, and other services, it should be a thought, to give a gift for the help we receive from our instructors. Please enable it to continue. But the sold-out performance of Abstract Film No. 70's Cinema Was Awesome - Blaxploitation/Shaw Brothers Co-Production Is Excellent Philip Auslander, Liveness: Performance in a Mediatized Culture, 2nd ed. Not all live cinema is tied to outmoded devices, but it does tend to reflect on medium change. Though the piece takes place within a stable set of parameters, it will never be the same twice; it will always be a re-presentation rather than a repetition. Give the gift of cinema this Christmas with one of our Forum Christmas gifts: Seat Sponsorship – Sp... 20/11/2020 Online Screening - Asunder. Stations of Light: Installation for Two Movie Theaters, One Audience, and Musician, 2014, Gibson and Recoder’s second contribution to “Film Without Film,” left behind the analog projectors the artists have worked with since 2000 to use Digital Cinema Package projectors for the first time. This was largely abandoned with the introduction of the platter system in the ’60s, which initiated an increased automation of projection that finds its apotheosis in DCP. Terms & Conditions, LIVE AND DIRECT: CINEMA AS A PERFORMING ART. Post relevant information that will encourage discussion and collaboration. This acknowledgement reflects our commitment to shedding light on the ongoing legacies of settler colonialism and forced migration. When the ruckus subsided, the program moved on to curator Mika Taanila’s next selection. CineD is a leading digital filmmaking news, reviews and community platform, covering the latest in cinematography, video DSLR & large sensor technology. Mail to: Forum Art Centre Britain’s post-apocalyptic wasteland. Moreover, in addition to its regular programming, the Cinéma du Musée offers the Montreal public festivals and previews of prestige films throughout the year. The last film shown there, in 1998, was Casablanca. The quality of art instruction is top notch and along side with the best of them. Winnipeg, Manitoba However, in reaction to the near inescapability of this regime, another form of liveness has emerged, one predicated on a desire to withdraw from circulation networks and insistent on the locatedness and collectivity of an aesthetic event that will remain outside the domain of digital reproducibility. 2, 2014, she used a Xenon 16-mm projector as light source, included a greater variety of liquids than she had in the late ’60s, and worked with an assistant, which enabled her to incorporate two mirrors into the piece. Despite this kinship, the significance of live cinema has changed immensely since the days of the benshi. We’ll get back to you as soon as possible. 2.Ask To Obtain Rare Lost Kung Fu! 3 reviews Write review TrustScore® High id: 3289182 255 Franklin Ave Hartford, CT 06114 (860) 296-1134 Incorrect info? The comparative strength of live cinema lies in its ability to produce a resistance to technologically mediated liveness from within that domain. Main Programme. Seats comfortable. Office Hours are Mondays and Thursdays 10-4pm. Sandra Gibson and Luis Recoder’s On/Off, 2004, figured as a classic paean to the specificity of 16-mm projection, with four filmless projectors arranged in a grid, connected to power strips, and switched on and off in rhythmic patterns by the artists, who were seated in front of the audience. Film The greatest film-maker who ever lived. Discuss Martial Arts Cinema from all countries made during this period. One might see performance art as best poised to respond to this demand, but it does so at the risk of positing liveness as a state of ontological purity, a dream of a return to some prelapsarian moment before the invention of radio threw into crisis the previously strong binary opposition between the live and the mediated. After all, if liveness is considered in relation to technological media at all, it tends to be thought to be the property of broadcast television and the Internet much more than of cinema, which depends on regulated repetitions of the prerecorded. This is your forum post. r/kungfucinema: A Subreddit Dedicated To Kung Fu & Martial Arts Films. Thank You to all you creative Masters for sharing your knowledge with us. Claim 4.0 . In this regard, the pair were interrogating what philosopher Nelson Goodman called the allographic nature of cinema: It is a two-stage art that requires a performative enactment in order to be realized, something that necessarily opens the work to difference, fluctuation, and modification even as it remains itself.6 Stations of Light exploits this opening where conventional exhibition would seek to close it down. While one might consider live cinema to be simply a marginal part of the already-marginal domain of practice that is artists’ cinema, there is also a way in which it may be taken as a template for rethinking the cinematic experience tout court. Information. Latest News. ", FALL SESSION 2020: REGISTRATION STARTS AUGUST 14, In-person class schedule (scroll down for online class list), IN-PERSON CLASS DESCRIPTIONS AND MATERIAL LISTS, ONLINE CLASS DESCRIPTIONS AND MATERIAL LISTS, © Copyright 2019 | Forum Art Centre | 120 Eugenie Street, Winnipeg | 204-235-1069. Credit Cards accepted via our online store. Cinema Bizarre's Shin : Discussion Time- SHIN A Place To Discuss Shin Moderators: Oz, Ich_Bin_Hughes: 5: 132: Thu Jul 30, 2009 6:52 pm cricketpoor : SHIN- Pictures Shin's pictures. . By Clarissa Sebag Montefiore. Forum was just so natural and organic, like being with family. After the advent of cinema proper, liveness remained a key feature of exhibition practice, particularly at the level of the sound track—or, rather, the sound accompaniment to the silent image—whether in the performances of the showman-narrators who would weave stories out of a succession of tableau shots or in the music that would attend them. Forum 6 Cinemas Tamworth NSW Level 1, Centrepoint Shopping Centre Peel St Tamworth NSW 2340 "As soon as I walked in, I knew I wanted to be there. All different ages, all helping each other. Others joined in, and paper airplanes began to soar, with laughter and conversation filling the room. 1. In short, from this perspective, the reenactment offers an opportunity for a richer encounter than documentation can provide. There is substantial literature devoted to this period, but strikingly less has been said about what live cinema might mean today, at a time when the historical character of liveness has been irrevocably altered by the advent of networked and mobile media. 5. DUE TO COVID-19, WE HAVE NO OPEN OFFICE HOURS FOR SUMMER. This documentary explores Pompeii, that city cloaked in mystery which, over the course of history, has influenced culture and art, from Neoclassicism to Contemporary Art, through images and words by the great artists and writers who experienced, visited and imagined it: from Pliny the Younger to Picasso, from Emily Dickinson to Jean Cocteau. Y. u. m. C. h. a. Smartlab. 1, 1967, for instance, turned to liveness as a way of swapping object for experience and engaging with process, materiality, and the body. If we’re unable to pickup, please leave your name, phone number and class you would like to register in. Tara McPherson, “Reload: Liveness, Mobility, and the Web,” in New Media, Old Media: A History and Theory Reader, ed. By spatially metaphorizing the changeover system, the artists seek to regain lost contingency. C l u b. 2 also possessed a contemporaneity that stemmed not merely from its status as an ostensibly new work (the artist’s second abstract film, not a reperformance of her first) but from the antagonistic position it took up in relation to the hegemonic form of twenty-first-century liveness. It's never too late to learn." Storyworld. Expanded Cinema is a book animated by the idea of standing at the threshold of a new society, yet the liberation movements blazing around the globe as it was penned—what Youngblood dubs “mere political revolution”—are all but elided; their absence haunts every page. In the absence of the image, one’s attention was focused more on the series of playful interactions between spectators than it was on the shadow play. All rights reserved. We're sorry but this site doesn't work properly without JavaScript enabled. Welcome to Stoke Film Theatre. There are at least two ways to approach this re-presentation. is a registered trademark of Artforum International Magazine, New York, NY. 6. REGISTRATION IS THROUGH OUR ONLINE SHOP OR BY EMAIL ONLY. Mary Ann Doane, “Information, Crisis, Catastrophe,” in The Historical Film: History and Memory in Media, ed. The proposition that cinema might be a performing art clearly exerts a strong appeal today. While many engagements with 16 mm in contemporary art reflect on analog film’s privileged relationship to contingency through an interest in the indexical trace, here one sees this link between old media and contingency articulated differently, in the moment of exhibition. As Cuomo noted in the postscreening Q&A, his composition, though largely set, nevertheless offered opportunities for the cellist to play off the cuff. Upcoming events and theme parties at The Art Cinema, 255 Franklin Avenue, Hartford, CT 06114. Kathi Wirth -- Student. The Oberhausen program thus joined events such as the celebration of Ken Jacobs’s work at this year’s Courtisane Festival in Ghent, Belgium, and Tate Modern’s fifteen-week “Art in Action” season in 2012 in making a strong claim for the conjunction of a pair of terms not often thought to have much to do with each other: cinema and liveness. ArtSmart can be used with Cinema 4D Prime, Broadcast, Visualize or Studio. Though the kinship between early cinema and experimental film has long been noted, it has often been articulated in terms of shared textual preoccupations, such as a focus on visual delight or shock, an avoidance of narrative integration, and the employment of a reduced formal vocabulary.2 The embrace of liveness in many works of expanded cinema figures as an additional family resemblance with the preclassical era—one that unites radically different filmic practices across historical periods in a shared position outside a standardized, reproducible experience of the moving image.